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The History of the Kentucky Bach Choir

Easter Tidings, Spring 2008

Tates Creek Presbyterian Church

The Lexington Bach Choir was founded by Richard Sowers in 2007 while Dean of the AGO (American Guild of Organists). As leaders of the Lexington Chapter, Sowers, Marlon Hurst, and Clif Cason conceived and launched the first Bach Marathon, sponsored by the Guild. They programmed Bach cantata literature and formed a temporary ensemble of singers and orchestra players.

 

From this, Sowers formed the Lexington Bach Choir and presented its first concert in November 2007. When Sowers became Director of Music for the Williamsburg UMC in Virginia, he asked Hurst to assume the role of Artistic Director in his stead.

Under Hurst’s outstanding leadership, the Lexington Bach Choir became a 501(c)(3) not for profit organization and subsequently, following the dissolution of the Louisville Bach Society, changed its name to the Kentucky Bach Choir with the intent to share Bach’s music with the greater Commonwealth beyond the Bluegrass region.

 

To date, in addition to its regular concert performances in Lexington, the Kentucky Bach Choir has performed throughout the state in Louisville, Berea, Richmond, Danville, Paris, Frankfort, Williamsburg, and Maysville.

CHARTER MEMBERS

SOPRANO

Roberta Chase-Borgatti

Karen Lewis

Adrienne Schram

Hanna Smith
Marla Sowers

Meg Stohlman

ALTO

Rebecca Abbott

Susan Carey

Adriane Hall

Micha Hughes

Shauntina Phillips

Diane Timmons

Nancy Vickers

CHARTER MEMBERS

TENOR

Tom Drury

John Linker

Doug Reynolds

Owen Sammons

Justin Welch

Whit Whitaker

BASS

John Campbell

Marlon Hurst

Enoch Jacobus

David Meade

Dan Rowland

Rick Stafford

John Stegner

Zach Ullery

ORCHESTRA

VIOLIN

 

Ella Chang

Jane Lee

Kristin Pferfer

Gretchen Tucker

VIOLA

Karen Bottge

Lauren Nelson

Maria Valencia

CELLO

 

Nathan Jasinski

Andrea Kleesattel

FLUTE

Kathryn Waters

 

OBOE

Katherine Alberts

Kim Heersche

Elizabeth Young

ORCHESTRA

BASSOON

Christine Carucci

TRUMPET

Julian Kaplan

Ryan Lehr

Jenny Brown

Eric Murine

TIMPANI

Brian Nozny

ORGAN

Clif Cason

Bob Kintner

John Linker

Rob Vanover

HARPSICHORD

Bob Kintner

John Linker

FALL 2007
SPRING 2008

FALL 2008

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FALL 2009

Richard Sowers, Founder

Richard Sowers, retired, is the former Director of Music Ministries for Williamsburg UMC (Williamsburg VA), Southern Hills UMC (Lexington, KY) and Christ Episcopal Church (Bowling Green, KY). While working in Virginia he also founded the Williamsburg Bach Choir and Handel Chamber Orchestra. Sowers was the former Music Director and Conductor of the Abington Symphony Orchestra where he also served as Director of Music Ministries for Abington Presbyterian Church outside Philadelphia.

 

During his tenure as Director of Choral Activities at Lindsey Wilson College Sowers was also Music Director of The Louisville Chorus where his association with Robert Page and Chorus America resulted in its becoming a semi-professional chorus. For over ten years Sowers worked under Moritz Bomhard (Kentucky Opera) and Robert Driver (Philadelphia Opera) through a fellowship grant from the National Opera Institute. Sowers held leadership positions in marketing and development in Syracuse, Rochester, Indianapolis, Louisville, and Memphis; was Associate Director for Connecticut Opera, and General Artistic Director for Orlando Opera.

 

Often a featured singer, Sowers performed with Kentucky Opera, Actors Theatre of Louisville, on WHAS-TV (Louisville), and with the Louisville Bach Society. Sowers was the 1st-place winner of the Louisville District Metropolitan Opera Auditions, and for four seasons performed the title role in “The Stephen Foster Story” in Bardstown, KY and Tokyo, Japan.

 

He holds applied music degrees from the University of Louisville School of Music, sang with the Indiana University Opera Theater where he was an adjunct instructor of voice, and completed doctoral studies as a graduate assistant in conducting at the University of Cincinnati (CCM). Sowers attributes his deep love of music to his teacher-mentors Fletcher Smith, Walter Cassel, Eileen Farrell, Gerhard Herz, John Alexander, Alan Harlar, Julius Hereford, John Wustman, Elmer Thomas, Earl Rivers, and Teri Murai.

Marlon Hurst, Artistic Director Emeritus

March 5, 2023  Tonight’s performance by the Kentucky Bach Choir marks the last concert of our esteemed artistic director, Marlon Hurst. As you probably know by now, Marlon has accepted the position of Music Director for Westminster Presbyterian Church in Greenville, SC. While we're delighted in Marlon’s good news, we, the Board of Directors finds it hard to let go of someone who has given so much time, thought, and effort in developing our beloved Kentucky Bach Choir, Orchestra, and award-winning soloists. 

 

Marlon was one of the initial charter members in the bass section during the first 2 years of the Choir’s existence under founding director Richard Sowers. When Marlon took over the reins in 2009, he created a vision that encompassed both the administrative and artistic mandates. He recruited a Board of Directors who supported and helped advance his vision. He chose dedicated board members who understood the daunting task of raising money and executing effective strategies that were true to the organization’s mission.

 

Marlon was our fearless leader who taught and inspired us at every turn. Now, 14 years hence (16 counting his first 2 years singing in the Bach Choir), you have navigated this sublime organization through many a challenging turn with purpose, resolve, enthusiasm, and, most of all, artistic excellence. We have presented with distinction all Bach motets, the St. John Passion, B-minor Mass, all 6 cantatas of the Christmas Oratorio, the Magnificat, many distinguished sacred cantatas and masterworks from other master composers like Handel, Brahms, Schuetz, Monteverdi, Mendelssohn, Mozart, Schubert, Rheinberger, Barber, CPE Bach, and (even) PDQ Bach. Occasionally, with PDQ and Bachtoberfest, we didn’t hesitate to strike the levity chord with tongue in cheek.

 

But, before we get carried away lauding Marlon’s accomplishments, we would like to dedicate a portion of our tribute to Marlon the person.

 

Many board members have worked with and sung under a variety of music directors and conductors, some with amazing musical talent, some with keen organizational skills, and others with great artistic vision. Marlon is all of this and more. His approach to his craft is deliberate, relational, comprehensive, scholarly, musical, holistic, artistic, liturgical, and acutely sensitive to singer’s needs, pedagogically and spiritually. A rare combination of gifts. A rare individual.

 

Although a formally trained trumpeter who possesses a beautiful singing voice, Marlon also has excellent keyboard skills and a thorough understanding of vocal pedagogy. He’s a consummate collaborator whose musical tastes are delightfully eclectic. We have marveled and depended on his keen ability to hear, model, and correct errant pitches, rhythms, and articulations. His prowess in liturgy, poetry, religion, performance practice, rock n’ roll and jazz are matched by his preeminent professionalism. 

 

Did you make us laugh? Indubitably! Did you make us cry? Meaningfully. Did you inspire us? Constantly. Are we going to miss you and Kathi? Unequivocally. 

 

So, we say “good-bye” for now, but not forever. We will forever say, “thank you, our dear and beloved friend and colleague.” Our gratitude for all you have done for the Kentucky Bach Choir – its board, singers, instrumentalists, donors, audience, and devotees – is immeasurable. We’re intentionally effusive in our praise of you because you have made an indelible mark on this organization and lovers of great music everywhere. You're fully genuine, graciously sincere, suitably prudent about what can be accomplished with hard work and integrity, and wonderfully zealous in your love of humanity, all creatures great and small and deserving. 

 

On behalf of the Board of Directors, we thank you, Marlon, for all that you are, for all that you have given selflessly, artistically, and organizationally for the Kentucky Bach Choir and its wide circle of grateful friends. We are forever indebted to you for raising our sights and our standards beyond our wildest expectations, and leading us to a promised land we never imagined. -RS

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